Category Archives: Adjunct Life
That Novel I’ve Been Working On . . .
Aside from not being a dog, or having a drinking problem, or being homies with a diabolical, talking baby, this is exactly what “working on my novel” has been like. At least for the last two years when all the research needed for the narrative is, in a sense, sorted. This is still a hilarious clip (note to my dad: this is how you use the word “hilarious,” not to randomly describe things like scuba diving, clothing, or hamburgers.) But it is less funny when I think about myself as Brian Griffin. Fortunately, I can’t sustain such introspective and deep thoughts while watching Family Guy for very long. In case it isn’t clear, this is a slightly late New Year’s Resolution Post. Yes, eleven days late. So what?
As I was saying . . .
At some point between my birthday and the end of the year, I make a perfectly plausible New Year’s resolution: to carve out some writing time and get that novel I’m working on finished. Then I write other detailed resolutions that expand and strengthen the initial resolution. I also throw in some I’m going to exercise and drink more smoothies.
Last year, I even attempted to do NaNoWriMo in November, which didn’t go quite as well as I’d hoped. In fact, it went in the opposite direction. If you’re wondering why my NaNo word count widget is still stuck in November, it isn’t the result of laziness; it’s because that’s the last time I even looked at my story, let alone touched it, and I mean that in a completely normal way.
While I would like to blame Kavya, my two year old daughter, for my lack of time, energy, motivation, inspiration, etc. I can’t. Nor can I blame my hectic work schedule. It’s not that hectic, or draining. The real issue really boils down to. Well, me. I am not looking at writing fiction as a job, and I probably should start doing that. There is no divine inspiration, or sage advice to gleam from writing books or magazines. The bottom line is that I have to write like it’s a job.
When I write freelance articles and essays, I know someone is going to pay me as soon as I finish it. Even when I grade papers or write up lesson plans/syllabi, I know at the end of the 4 month semester, I will be paid for my effort. Writing fiction is totally different. There is no guarantee of anything. Not of payment. Not of publication, or the time frame. As Victor Frankenstein says to Robert Walton in Letter IV of Mary Shelley’s Frankenstein: “Unhappy man, do you share my madness?” Yep. I do, homeboy.
After my five days of NaNo and my pitiful November word count, I felt a bit bummed and even as I write this post, I still haven’t looked at my writing. But clearly, I wasn’t that distraught because it didn’t stop me from livin’ it up on a holiday to Hawai’i for Christmas.
So, rather than making a huge New Year’s Resolution post filled with lofty goals, this year I have exactly two writing related goals:
1) To get organized and start taking my writing seriously, instead of waffling about. That wasn’t really a goal, more an offhand inner thought that somehow made it to #1 on my resolutions.
2) I’m going to post a monthly word count in the sidebar, and try to gear myself up for NaNoWriMo. This is the year I finish my novel.
3) Read more. Maybe post some reviews on here of some of the books I’ve read.
I’ll end this post with another inspirational video by the best writing mentor anyone could hope to have:
Literary New Year’s Resolutions for 2011
Every year I make vague and overarching resolutions – “exercise more,” “write more”- and end up getting bugger-all done. Last year was no exception, although I did get one solid thing accomplished that I’d like to say was on my list of resolutions, but I’m not that organized: becoming a dad. With the same stroke of luck, my wife also became a mum (it wasn’t on her list of things to do in 2010 either).
So this has been a very special year for me watching our daughter, Kavya, grow from bhurkanvaalee (Punjabi word loosely translating to “something that jumps”) to a living, breathing, mostly sleeping entity, and now a very real little person with a rebellious personality who genuinely laughs when anyone tries to exert their authority. Sternly saying, “No,” to anything she’s doing (eating tissue, pulling wires, beating us, results in hilarious belly laughs from her.
We have quickly realized that being parents means we have to be much more organized with everything.
Stoopid NYC MFA Students
I always love a good literary throw down because academics will never concede they’re in any way wrong, so it usually ends in a shootout. Oh wait, I’m confusing it with a gang war. It actually ends with one person having a strop (British slang for behaving like a child) and storming off. It’s even funnier online because there’s nowhere to go. It is, in one very fitting word, “awesome.” This time it involved the lawyer, poet, Ph.D. student, and blogger Seth Abramson, and Sona Charaipotra, a hot mama, New School Young Adult MFA student, TeenWritersBloc blogger, oh, and my wife =) It’s exactly like the feud between the East Coast and West Coast rappers. Sona’s like Tupac and Seth is like the Notorious B.I.G. Don’t let his Harry Potter outfit fool you. That is a Harry Potter outfit, right? Anyway, Seth wrote an article in the Huffington Post in which he does not call NYC MFA students idiots, and Sona wrote a blog on TeenWritersBloc.com titled “NYC Students: We’re not all idiots” See. Just like gangstaz.

James Frey and his best friend, Oprah Winfrey
Seth Abramson’s article, “James Frey and the Creative Writing Master of Fine Arts” has very little to do with either. He starts off discussing the unethical and exploitative nature of James Frey’s publishing company (check out my blog about it here), and then the article abruptly stops being about Frey and springboards into what he writes about on his blog: the perils of being in a high priced MFA program that is not fully funded. It reminds me of those reefer madness posters from the 60s.
Navdeep’s Reverse Bucket List
The first time Sona introduced me to her immediate family, we ended up going to her cousin’s house for a “small get-together,” which turned out to be 40 people! And this became indicative of any celebration, big or small. We were constantly surrounded by immediate and extended family in New Jersey for all of the big celebrations, which we knew was a production (food, washing up, dealing with drama), but was something we all looked forward to, and took for granted. We just couldn’t fathom that there would be a momentous celebration where the whole family wouldn’t be present.
We assumed Thanksgiving this year would be a boisterous affair here in New Jersey, as it is every year, with Sona’s family spread out all over the house, the steady boom of Raju Mama’s voice bellowing “oh ya, ya, ya,” the constant sound of people chattering, Meena, my sister-in-law complaining that she is hungry while talking about cake, the clinking of glasses, Sona and her cousin, Arun, baking an assortment of delicious goodies, “the cousins” making plans to be part of the criminally insane crowds lining up at 3am at Menlo mall for Black Friday sales, and of course, the intoxicating aroma of masala turkey - a Charaipotra tradition.
Instead, it ended up being a very intimate affair, much like I’m used to having with my family back in California. The difference, however, is that most of my extended family are all in India, whereas most of Sona’s extended family all live minutes away from her parents’ house, so it was a very strange feeling not having them here for Kavya’s first thanksgiving.
We all sat at the table, including Kavya, our nine-month-old daughter. Each of us had contributed something to the meal: Sona’s mom made the famous masala turkey, which has never failed and is integral to Thanksgiving at the Charaipotras, and now, the Dhillons too! Me and Meena had made some deliciously concepted desserts: red velvet cupcakes and low-fat pumpkin pancakes respectively, both of which failed in execution; Sona made mac and cheese, which I hear good things about; Sona’s dad made some scrumptious mushrooms with vegetable filling; Tarun had initially disgraced himself by mashing up the potatoes a little too vigorously causing them to become mushy, but redeemed himself with Wasabi, Green-tea, and Dark Chocolate Kit-Kats he brought all the way from Japan, all of which were delicious.
And Kavya? Her contribution is simply existing. With all the negative things that weigh down on all of us, she represents the inherent goodness in everything.
Although it was a much quieter Thanksgiving than we were expecting this year, it also gave us a chance to really reflect on the things that are important to us, the things that we are thankful for.
George W. Bush is Hella Literate

George W. Bush and Bill Clinton
Two weeks ago, Decision Points, George W. Bush’s memoir covering fourteen of the pivotal moments of his presidency, came out to mostly good reviews. Even Bill Clinton and the New York Times had good things to say about it. There is also a well balanced article on the Christian Science Monitor detailing the global response to the memoir. Since its release, it has made it to Number One in Amazon’s list of bestselling books, Number One New York Times bestseller in hardcover non-fiction, and countless other accolades.
After leaving office in 2009 with approval ratings of 22%, something he really should have won an award for, he has found redemption in a literary career. Not only is his memoir doing well financially, but it has helped to flip the perception by many of his critics who have slanderously accused George W. Bush of being inarticulate and called into question his ability to read and write.
The MFA in Creative Writing: Creating a Generation of Profound Writers? Or Destroying the Fabric of America?
Four years after receiving my MFA in creative writing in fiction, I’ve decided to add my two cents to the endless debate: Is an MFA in creative writing worth the time and money? In case you glossed over the second clause in my first sentence, let me reiterate that I am adding my two cents, not answering the question. See how well I implemented the “creative” part of my degree?
When I decided to pursue my MFA, I had just returned from backpacking into India through Nepal, Tibet, and China. Just before that, for two years, I had been teaching English in the small town of Dandong in Northeast China. This was back when I thought I wanted to make a difference in the lives of children by committing myself to teaching at the elementary, middle, or high school level. As it turned out, I don’t like children. (Disclaimer: I have a daughter now, and while I love her to bits, I am happy it is not my job to teach her or her kind.) Anyway, the point is I had plenty of “ real world” experience from which to draw from. That’s what old school writers did before MFAs, isn’t it?
Throughout my time in China and even when I was sitting in the backs of cattle trucks with goats nibbling at my notebook, I always wrote. I always knew I wanted to write. So I did. I wrote constantly. Beginnings of novels. Short-stories with Indian protagonists and pages and pages of backstory on the “exotic” culture I knew very little about. Needless to say, all of those embarrassing stories have never seen the light of day. I knew I had talent, but also knew it was raw. I also wanted to teach adults. And those are the reasons I applied. I didn’t care about publishing. I figured if I could polish up my writing to the point where I like it, then everything else will fall into place.










My father, 
After the early morning hours, my dad gives me a ring and engages in small talk for under 30 seconds. It’s very impressive and usually goes something like this: “Mera Puth aj ki kariya? Kavya te Sona ki karde? Acha aj mai apna blog likh ke te fer mai apne FaceBook te jaake wall te ki likhaan?” which translates to : How is my son doing today? What are Kavya (my 8 month old daughter) and Sona (my wife) doing? Right, so today after I write my blog, what should I write on the wall in FaceBook?” He takes 

The general consensus today is that a writer in any medium must have an online presence. At the very least, they should have a website. Regardless of the caliber, all of the new writers, it seems, have a website/blog, and a twitter and facebook account for professional purposes (with some rare exceptions). Sometimes these are run by other people, but the illusion that the writers themselves are posting their thoughts and updates is there. I started researching Salman Rushdie, who is speaking at 







